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TABLE OF CONTENTS CHAPTER 1 INTRODUCTION. Both load and resistance factor design and allowable strength design methods are employed in the design examples. Preface This Design Guide provides guidance for the design of castellated and cellular beams based on structural principles and adhering to the 2016 AISC Specification for Structural Steel Buildings and the 14th Edition AISC Steel Construction Manual. Steven Hofmeister Larry Kloiber Roberto Leon Tom Murray Roger O’Hara Davis Parsons Daryll Radcliffe Richard Redmond David Ruby Bill Scott Robert Shaw Victor Shneur Derek Tordoff Chia-Ming Uangįinally, and most importantly, the authors thank their spouses and families for their support during the writing of this document. The authors are grateful to the reviewers of this document who provided insightful commentary:Īllen Adams Leigh Arber Reidar Bjorhovde Jason Caldwell Charles Churches John Cross David Darwin Tom Faraone Pat Fortney Ted Galambos Ed Garvin Louis Geschwindner Scott Goodrich Jay Harris Tony Hazel Many thanks go to the graduate and undergraduate students who have conducted the experimental and analytical research at Villanova University sponsored by Commercial Metals Company, Inc.: Nicole Aloi (Hennessey), Dominic Borda, Michelle Dionisio (Callow), Jason Hennessey, Matthew Reiter, Jason Reither, Ryan Smoke and James Sutton. The support of Tim Bradshaw, Shawn Gross, Rebecca Hoffman, Billy Milligan, Serge Parent, Joe Pote, John Robins and Joseph Robert Yost has been invaluable and is greatly appreciated. Over that time frame, there have been many peers who have assisted the authors in bettering their understanding of the behavior of castellated and cellular beams. Dinehart, Ph.D., is a Professor at Villanova University, Villanova, PA.Īcknowledgments The authors have been actively engaged in the design, research, and/or advancement of castellated and cellular beams for more than 10 years.
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John Coulson, P.E., is a Principal and Vice President at Integrity Structural Corporation, Houston, TX. Eng is an engineer at New Millenium Building Systems, Hope, AR. The American Institute of Steel Construction bears no responsibility for such material other than to refer to it and incorporate it by reference at the time of the initial publication of this edition.Īuthors Sameer S. Caution must be exercised when relying upon standards and guidelines developed by other bodies and incorporated by reference herein since such material may be modified or amended from time to time subsequent to the printing of this edition. Anyone making use of the information presented in this publication assumes all liability arising from such use. All representations or warranties, express or implied, other than as stated above, are specifically disclaimed. The publication of this information is not a representation or warranty on the part of the American Institute of Steel Construction, its officers, agents, employees or committee members, or of any other person named herein, that this information is suitable for any general or particular use, or of freedom from infringement of any patent or patents.
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While it is believed to be accurate, this information should not be used or relied upon for any specific application without competent professional examination and verification of its accuracy, suitability and applicability by a licensed engineer or architect. The information presented in this publication has been prepared following recognized principles of design and construction.
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This book or any part thereof must not be reproduced in any form without the written permission of the publisher. Villanova University Villanova, PAĪ M ERICAN INST I T UT E OF S T E E L CONS T RUC TI O NĪISC © 2016 by American Institute of Steel ConstructionĪll rights reserved. Integrity Structural Corporation Houston, TXĭavid W. Eng New Millenium Building Systems Hope, AR If the flute is nickel plated, it would look darker (I would say almost "steely" looking) than a silver plated flute.Castellated and Cellular Beam Design Sameer S. I have an older Yamaha 581 that is the equivalent of what they currently sell as the 674. If memory serves, the 225's are the older ones, and the 221's replaced them. The Yamaha 225 is the same as the 221, just with a different designation. A few years ago, Yamaha restructured their numbering system.